Red, White & Royal Blue (2023)

Red, White & Royal Blue operates on the philosophical-anthropological plane, presenting a homosexual romance between Alex Claremont-Diaz, son of the U.S. president, and Prince Henry of Wales, as the narrative axis of self-discovery and liberation. The work introduces ideological contraband by normalizing this relationship as the supreme expression of personal authenticity, disconnecting it from natural law and the man-woman complementarity inherent in human anthropology. Beneath a facade of light romance and romantic comedy, it instrumentalizes virtues such as compassion and courage to validate a subjectivist view of sexual identity, where desire defines the essence of being. This subverts the natural order of sexuality, presented not as a gift oriented towards marriage and procreation, but as selfish affective consumption. The biological family is relegated, while a radical individualism is exalted that prioritizes 'authenticity' over responsibility and filiation. Explicit scenes of homosexual sex elevate this deconstruction to a sensory level, celebrating what classical tradition sees as a rupture of human flourishing. Although it touches on themes of public responsibility, the dominant message closes the transcendent horizon, reducing redemption to hedonistic affirmation. For parents, it represents social engineering disguised as entertainment, vetoable for its active agenda against the dignity of ordered sexuality.